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“This [A=432 Hz] tuning was unanimously approved at the Congress of Italian musicians in 1881 and recommended by the physicists Joseph Sauveur and Felix Savart as well as by the Italian scientist Bartolomeo Grassi Landi.” [iv]
The Vibration of Sound
According to preliminary research, analysis, and professional discussions by Walton, Koehler, Reid, et al., on the web, A=440Hz frequency music conflicts with human energy centers (i.e., chakras) from the heart to the base of the spine [the lower four]. Alternatively, chakras above the heart are stimulated. Theoretically, the vibration stimulates ego and left-brain function, suppressing the “heart-mind,” intuition

“Music based on C=128hz (C note in concert A=432hz) will support humanity on its way towards spiritual freedom. The inner ear of the human being is built on C=128 hz.”The fact that Phi/Golden Ratio is so key in morphogenesis (the biological process that causes an organism to develop its shape) in humans and throughout nature suggests that there may be an interesting yet little-known relationship between the galactic harmonic of 432 that shows up in our solar system and the Golden Ratio.


The Curious Case of 432
We see above an interesting relationship between the 432 and the number of completion arising as we look at this material below. The numbers suggest that the “universal” or solar constant of 432 has to do with the “completion” (or completeness) of the manifest material world.Diameter of sun = 864,000 miles (432 x 2)Interestingly, the leading acoustician in Beethoven’s time was Ernst Chladni (1756-1827), the godfather of cymatics. His music theory textbook explicitly defined C as 256/512 Hz, the “scientific” tuning. (The A above middle C in this standard scale is 432 Hz.) Perhaps this is to do with 432 squared — 186,624 (1+8+6+6+2+4 = 9) — being within 1 percent accuracy of the speed of light, (186,282 miles per second, which also resolves to a 9!). The square root of the measured speed of light is 431.6(!) By deductive reasoning, we might speculate that “notes tuned relative to A432 harmonize directly with the light body [auric fields] allowing the vibrations to penetrate, and through entrainment, bring your energetic essence into balance. Entrainment is the tendency for a strong vibration to influence a weaker vibration.”[xi] Inversely, A=440 tuning may produce a dissonant or “agitative” effect on the aura/mind — and anything that disrupts/disturbs DNA will create contraindications in the aura due to DNA’s innate sound-light translation mechanism. The human aura, of course, is the closest thing we have yet been able to point to as “consciousness” or “mind” in the manifest measurable world, as I demonstrate in The Grand Illusion : a Synthesis of Science & Spirituality. Using 256Hz as the reference for C (where A=432), all occurrences of C are a power of 2. Interestingly, the Schumann resonance — earth’s electromagnetic “heartbeat” existing within the atmosphere between the earth’s surface and our ionisphere — ranges from about 7.83 to 8 Hz on average — very close to (and even the same as) 23. This isn’t terribly surprising if you consider the frequency of earth’s axial rotation: “Earth’s ‘pitch’ (cycles per second/Hertz) as it rotates is G, a fourth below the theoretical C that lies 24 octaves below middle C, when C=256Hz. So C=256/A=432 is in tune with the Earth’s rotation,”[xii] which is “in tune” with the speed of light, which is “in tune” with the diameter of the sun, which is “in tune” with the diameter of the moon, which is “in tune” with the precession of the equinoxes! That’s a lot of harmony, which is exactly what we should expect from a holofractal (scaled) plasma-based universe.Diameter of moon = 2,160 miles (5 x 432 = 2,160)
- Interestingly 8+6+4 = 18 (1+ 8) = 9 the number of completion
Precession of the Equinoxes of Earth = 25,920 years (60 x 432) [x]
- 2+1+6+0 resolves to a 9, as does 4+3+2 = 9 and 5 x 9 = 45 and 4 + 5 = 9 as well.
- 2+5+9+2+0 also equals 9, while 6 x 9 = 54 and 5 + 4 = 9 also.
C#=544 Hz, NOT 554 Hz!
A.K.A The Breakthrough that Didn’t Quite Break Through In a ground-breaking research collaboration initiated in the late 1980s, biologist David Deamer and composer Susan Alexjander sought to directly ascertain the frequencies emitted by the bases of our DNA (A, G, C, T). They did this by directly measuring the infrared absorption spectra of DNA molecules. These DNA frequencies were then arranged as “scales” of tones, and subsequently used as the basis for Alexjander’s musical compositions. The atomic bonds within these base molecules “bend, stretch, and rock upon absorbing infrared light with a specific frequency related to the energy and strength of the bond and the mass of the nucleus of the atom. A tighter, smaller bond from, say, hydrogen, will absorb light with a higher wavenumber (number of waves per centimeter), and a higher ‘note’ in the infrared spectrum.” A spectrophotometer was used to ascertain the frequencies of the different bases. Inside this device, infrared light with frequencies ranging from 600 to 3000 wavenumbers (in units of cm-1) was passed through each sample, being absorbed at specific frequencies, which the instrument plots as a spectrum. Once the wavenumber was identified, it was converted to hertz using the following equation: Frequency (Hz) = velocity (speed of light) x wavenumber Because this process involves infrared light—not sound—frequencies, huge numbers (megahertz) were obtained, that, if translated directly into hertz would be far beyond human hearing (and thus useless for creating a musical composition, as intended). Recognizing that if they were to halve the numbers they were getting—and keep halving (decreasing them by octaves at a time) until the number fell within the audible range of sound frequencies, they would end up with the same notesonly at much lower (audible) octaves. Each DNA base yielded 15 – 18 notes; 60 in all. Interestingly, it appears that none of the bases emitted an A# — it was the only note of the diatonic scale missing. Once this data was collected, it was converted into a human hearing range and programmed into a Yamaha DX7 IID synthesizer. They needed to use a “special electronic keyboard… because the tunings that were derived were almost all microtones” (tones smaller than a regular semi-tone, the smallest interval generally used in Western music).[xiii] This presented Alexjander with a formidable challenge regarding creating actual musical compositions out of these tightly-packed clusters of DNA base notes. At first, there was no seeming organization or order to what she was seeing or hearing, when experimenting with the 60 different microtonal DNA notes on her synth.
Adenine: 545.6 Hz Guanine: 550 Thymine: 543.4 Cytosine: 537.8 Average DNA Hz = 544.2This is where their project gets particularly interesting for those of us interested in sound-based healing, Just Intonation tuning, and the acoustic laws underlying creation. You see, in today’s bastardized standard tuning (Equal Temperament), C#=554 Hz/A=440, and C=523. Look carefully at the frequency values of each DNA base above and you see that all four of them are fairly close to being tuned to this standard tuning (where A=440, the “Nazi tuning”). This C# “is positioned almost exactly in the center of the absorbency rates, and shows up as the average. This C# seems to act as a balancer for the entire spectrum of frequencies,” as Alexjander put it. She further observes that most of the gongs, bells, and drums of the non-Western world are tuned to this C# tonal center — as if we are collectively trying to subconsciously tune to something (natural cosmic harmonics). What made my jaw drop, however, was not that the four DNA bases’ tuning averaged out at 544 Hz, fairly close to standard tuning where C#=554 Hz (a discrepancy of only 10 Hz). It was, rather, the fact that when A=432 Hz, as in the ancient Just Intonation tuning system based on nature itself, C# is precisely 544 Hz — exactly what emerged as the dominant, central “organizing” DNA base frequency in Alexjander and Deamer’s research! Astonishingly, Alexjander and Deemer have apparently missed this crucial correlation. A=432 Hz is the tuning of the Cosmic Keyboard or Cosmic Pitchfork, as opposed to the A440 Hz modern “standard.” It places C# at 136.10 Hz [544 Hz four octaves higher] “Om,” which is the main note of the Sitar in classical Indian music and the pitch of the chants of the Tibetan monks, who tell us “It comes from nature.” – Dameon Keller. [xiv] Now we are seeing a real basis for precisely why sound healing works—on every level of our beingness. It is a harmonic rule that whatever octave you are toning at, it will automatically resonate the other octaves of that note. So, even if you are toning vocally within the limited human vocal (or hearing) range, and you are toning into a chakra, if you have selected the “right” note, it can and will correct cymatic deformations in that chakra, even though the magnetic vortex of said chakra will be spinning at a frequency (and harnessing light at frequencies) far beyond the range of regular sense perception, and thus, invisible to most people. The law of harmonic resonance means that you will immediately affect light/matter on many octaves of the same note simultaneously. Because sound (vibration) organizes light/matter into form, it is potentially the most potent tool in a healer’s arsenal. Sound does strange and exotic things other tools cannot; “junk” DNA, for example responds to sound—codons can be turned on or off using acoustic vibrations, and our cell membranes (which are the “brains” of the cells) have antennae that detect sound vibrations and can pass them into the cellular matrix. According to clairvoyant Barbara Brennan, former physicist and founder of the Barbara Brennan School of Healing, when she uses her voice in this way for healing chakra deformities, the chakra will stand up and spin correctly almost immediately. From there, it only takes a few seconds once a chakra is corrected on the first/etheric level to then become the correct color on the second level (emotional body) of the field.[xv] Well known biologist Bruce Lipton has stated that, aside from the better known “lock and key” cell receptor sites, there are also antenna-like structures (“primary cilium”) on the cell membranes in our bodies that respond to vibrational frequencies: Receptor antennas can also read vibrational energy fields such as light, sound, and radio frequencies. The antennas on these energy receptors vibrate like tuning forks. If an energy vibration in the environment resonates with a receptor’s antenna, it will alter the protein’s charge, causing the receptor to change shape…Biological behavior can be controlled by invisible forces as well as it can be controlled by physical molecules like penicillin…[xvi]
